Dissolve Into Crows VFX After Effects Tutorial – Part 2
In the first part of this VFX tutorial I showed you how to set up a particle system in 3dsMax using Particle Flow to spawn a murder of crows. In this part we will be taking the rendered crows as well as the z-depth pass we generated and composite them with our base footage to complete this awesome visual effect!
Preparing Your After Effects Composition
What you need for this tutorial is:
- Your clean plate (the shot without the actor in it)
- Footage with your actor in it. You need to rotoscope the actor out for the duration of the effect since we will dissolve themin front of the clean plate
- The rendered crows from part 1 of this tutorial
- The z-depth pass for the rendered crows (this is optional)
In Adobe After Effects you need to create a new composition with your clean plate at the very bottom and the rotoscoped actor on top. Then import the rendered crows. Ensure that you right click imported crows footage in the project window and go to ‘Interpret Footage’. Double check that the frame rate matches the frame rate of your footage.
Now place the rendered crows on top of your 2 layers. Since we timed them to match our scene when we set up everything up in 3dsMax, the crows should be spawned with the correct timing.
The first issue you may encounter is the crows not fitting into the shot very well in terms of their colour. This is not usually that big a deal although it can save you some time to make sure the colour matches when exporting from 3dsMax. Since my crows came out rather blue, I applied a simple Hue/Saturation effect to the crows layer and drained a lot of the saturation and lightness to make the crows look nice and black.
Since in 3dsMax I only set up a deflector for the ground plane of the pier and not for the sides, I noticed a few crows penetrate the sides of my geometry. To fix this, I applied a number of animated subtractive masks to cover up the crows for those moments.
There might be other cleanups you have to do depending on your footage and the effect you are going for. Most of them you should be able to solve with simple techniques in After Effects.
I cut off the rotoscoped layer of Celina spinning at the moment when all crows have spawned. This causes her to disappear when the crows emerge – but she disappears rather suddenly.
Since we don’t want our actor to simply vanish from one frame to the next, we now need to add the ‘dissolving’ effect to our layer. For this we will use a very simple tool in Adobe After Effects: track mattes.